This is my graduate film, completed in my final year of a BA in Media and Communication at Goldsmiths in 2005. I was particularly interested in exploring the visceral nature of animated drawing through the rostrum camera, as opposed to the clean lines provided by computer generated imagery; the concept was influenced in part by the South African Truth and Reconciliation hearings, but mostly by some of the theories regarding embodiment and experience I was exposed to during my studies. I produced a stream-of-consciousness sequence of drawings inspired by the notion that systems of oppression become embodied by all who live under them, leaving a complex legacy that sinks deeply into the very fabric of a society and its people. Inspirational narratives of forgiveness and compassion are often reluctant to acknowledge apartheid’s monstrous legacy and its role in the elements of violence and brutality that can be seen to pervade much of the ‘new’ South Africa; this is my attempt to explore the issue from a personal perspective.
Légende de Baobab
